How to get your writing noticed

Publish stories on your own website/blog

thzm0mn3jlAndy Weir, author of The Martian, first published this story on his own website one chapter at a time. He’d been posting short stories and chapters of different books on-line for ten years, growing a dedicated following.  His readers asked him to produce an ebook version of The Martian to make it easier to read, and this is when the book took off. Suddenly, he had an agent, a book deal and Fox Studios making the movie. Interestingly, the author had once taken three years off work to try and sell his writing to a traditional publisher and failed.

 

Use Wattpad to find a readership

176127761Wattpad has 8 million monthly visitors and a high proportion of YA users. Writers post their books chapter by chapter, and give it away for free. But some authors see it as a price worth paying in order to find a readership. Lily Carmine’s story, The Lost Boys, clocked up 33 million readers! It was quickly snapped up by Random House.

 

 

 

Broaden your readership using social media

Try combining your words with images for sites such as Instagram, pinterest and Facebook to expose your writing to new readers. Even on sites where visual content isn’t required, images have better visibility in the news feed. I write flash fiction for pure fun and post it on Instagram/my author blog.

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 Make an ebook

stick-dogAmazon’s Kindle Direct Publishing (KDP) enables authors to independently publish their books straight to Kindle. It’s not a passport to getting your work noticed, but if your writing stays in a drawer no-one is going to read it! Producing an ebook is less expensive than making a physical book and is a good way of dipping your toe into the water to see if it sells. Tom Watson, author of the picture book Stick Dog, produced his own ebook because he felt his work was “too far out there” for a traditional publisher. It went on to gain a massive following through word of mouth. Our Electrik Inc books are all available as ebooks.

Do you have any top tips for getting your writing noticed? If so, let us know. We’d love to hear them.

Thanks for reading my blog!

Kim

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One ring to rule them all…

ring-1671094_1920

The Ring is a rather unique collaborative novel born in the imaginations of the creative writing society at King Edward’s Senior School, Bath. The concept is simple. The novel follows the story of a mysterious golden ring from thousands of years BCE to the present day via Ancient Egypt, Shakespeare’s Globe, the wreck of the Titanic…and much more. The chapters are written by pupils, former pupils, teachers, parents, and some local authors (including me).  I also typeset the book for them. It certainly ruled my life for a while (80,000 words, 56 chapters, 41 different authors). But it is still my precious!

Here’s my story.

1911

Mary hadn’t meant for the fruit to topple out of the painting on the wall. She’d only been looking at it, thinking, What if? Apples, pears and plums thudded onto the mahogany dresser, like the sound of feet on stairs. The fruit was no longer two-dimensional or made of cracked paint, but round and smooth and sweet-smelling.

The boring dinner party conversation stopped abruptly and everyone turned towards the picture, eyes wide and mouths open. Mother tried to divert the guests’ attention by asking in a loud voice, “Do you think women should be given the vote?” But Mary didn’t get to see if it worked as Father took her hand and dragged her outside, banging the door closed behind them.

“When are you going to learn to be normal?” he hissed, his freckled face red with anger. “Go to your room. I’ll deal with you later.”

Mary pushed her hands deep into the pockets of her lace dress. She still remembered the stinging pain from being given several sharp swats to her palm with a tennis shoe when a stone lion disappeared from the Italian Garden and a real one had been found prowling through the local village on the same day. She sprinted up the stairs, her eyes bright with tears. She felt sick, knowing Father would keep his word.

For a long time she sat on the edge of the bed, waiting in the candlelight, still wearing her lace-up boots and the big bow in her brown hair. She could hear the sound of muffled voices and laughter in the dining room below; the party was still going on. If only she could run away and find a happy place to live where she could be herself.

Eventually, she picked up what was left of the candle and walked over to the bookcase. The guttering flame illuminated titles and authors’ names on the spines of the books. She ran her fingers over Alice’s Adventures in Wonderland and Grimms’ Fairy Tales and stopped on Nonsense Songs, Stories, Botany and Alphabets by Edward Lear. Her hand tingled when she touched the cover, and a pins-and-needles sensation travelled up her arm as she pulled the book off the shelf. She flicked through the pages and stopped at the first black-and-white illustration: an owl with a small guitar, serenading a cat in a wooden rowing boat at sea. Stars winked in the night sky. She had a vague recollection of her mother singing The Owl and the Pussy-cat to her as a very small child, but she couldn’t be sure if it was a real memory or if she’d made it up for herself. Still, it was comforting.

As Mary looked at the picture she thought about the curved sides of the boat, the smell of 4c6ad17ccfa7d7830a50cafc2f162c261salt water and sweet honey, rough wood and silky-soft cat fur. She pictured the owl’s talons plucking the guitar strings and the sound the instrument made.

“The Owl and the Pussy-cat went to sea in a beautiful pea-green boat,” she whispered.

A boat, the size of a small ornament, appeared on top of the book. Mary quickly looked at the door and listened – no-one was coming. She turned back. The boat remained black and white and shaded in charcoal grey, as it had been in the book. The owl had a white, heart-shaped face surrounded by a ring of short dark feathers, black eyes and shaded upper parts, and he strummed a simple wooden guitar. The cat sat opposite him, staring into his eyes. She had the stripes of a tabby and a mark on her forehead resembling the letter M. A big jar of honey rested between them. Mary thought this an odd choice of food for a bird of prey and a cat. Surely, a few dead mice would be much more agreeable to them. Two oars stretched across the benches they sat on, dripping water onto the paper.

She continued reading. In the top corner of the page an island rose covered in bong trees with purple, heart-shaped leaves and hairy trunks. The owl and the pussy-cat went ashore and soon they met a pig with a tarnished ring, inscribed with tiny letters, at the end of his nose.

“Dear Pig, are you willing to sell for one shilling your ring?” asked the owl.

Said the Piggy, “I will.” He wriggled it free of his snout and handed it over.

The owl wiped the ring on his feathers and the cat admired it and purred with pleasure.

Mary smiled at her. “If you’re going to get married, can I be your bridesmaid?”

She was so lost in the story that she didn’t hear her bedroom door open.

“You’re in so much trouble, young lady.” Father’s bellowing voice made her jump.

Desperately, she tried to squeeze the book shut, but neither the creatures nor the bong trees would lie flat. She tried to push them down with the palm of her hand. The owl pecked her little finger and the cat clawed her skin; they weren’t going back into the book without a fight.

“Please, I’m trying to help you,” said Mary.

Her father lunged forward, holding a tennis shoe. He grabbed Mary with his free hand and smacked the characters into the air with the shoe. They tumbled over and over; the owl let go of the ring as it stretched its talons towards its sweetheart.

“Let me go!” Mary pulled herself free.

She reached for the owl and the pussy-cat and, as she did so, the ring grew bigger, and then it slipped onto her finger. The moment it touched her skin it turned from black and white to dazzling gold. It was as bright as the sun. The three characters disappeared into thin air with a pop and a moment later Mary vanished from the room too.

 

*

 

Mary found herself standing alone on a soft white beach. Bong trees rustled in the breeze and the air smelled of coconut and the sea. The pig sat in the boat, but there was no sign of the owl and the pussy-cat – she would give them the ring the next time they met. She now examined the ring more closely. It fitted her finger perfectly and a few words ran along the shiny gold band: Mary sailed away for a year and a day…

She hesitated for a brief moment and thought about home. Then she smiled, climbed into the wooden rowing boat next to her new friend and set off on an adventure.

 

The Ring will be on sale from October 13th in Topping bookshop, Bath.

This story was first posted on my author blog.

Copyright (c) 2016 Kim Donovan. Ring image: Pixabay/ColiN00B. Original illustration of the Owl and Pussycat by Edward Lear

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The black, the white and the grey

 

The pen is indeed mightier than the sword. And when it comes to children’s literature the power of words to shape the attitudes of the child reader is awesome. Should well-written stories (classics, even) be scrubbed clean of sexism and racism? The characters with derogatory names re-invented? Should the offending books just be piled up in a public place and burned? Might be tempting, rather than have your child read that Mary in The Secret Garden thinks that “blacks are not people”.

But what about the role of those outdated books in highlighting thoughtless attitudes and in educating children in the way things used to be? In The Daily Beast the suggestion is that if publishers, librarians or teachers simply withdraw offensive books then they are of course indulging in censorship, which could lead to a distortion of history. Anna-Marie Crowhurst is a great fan of Enid Blyton and as a child adored the quirky, outdated language and the jolly japes the children got up to. But she clearly grew up in a thoroughly enlighted household because at the age of nine she already knew that a story in which girls always did the cooking was “silly”. To my shame there is a host of classic children’s literature out there which reveals racist and sexist attitudes which I hadn’t ever spotted. Do we bin them all? If so we would be depriving children of E. Nesbit, the Barbar stories, Tintin, TS Eliot, Dr Seuss and Roald Dahl, to name but a few.

img002        The Greater Good is a really thoughtful and interesting American website which reiterates the idea that—with a few exceptions—many stories are simply reflecting the times they were written in and can be seen as history up for discussion. The valid point is made that very few people are wholly bad or wholly good and therefore many stories are simply introducing young readers to a complex world. Laura Inglis Wilder, writing about the Americans setting up a homeland in the mid West, wrote about real life as she and her family saw it. Her own history. And that included indigenous people who were described as “dirty and thieving”. Fertile ground for discussions with children: Why did people think like that? Does that make them bad people? Are we different now? Why?

Of course an enlightened and positive antidote is to actively promote books which combat racism and sexism. I found a great website called A Mighty Girl which suggests lots of books containing strong and successful girls and women, including the true stories of Rosa Parks, Billie Holiday and Malala. I particularly like the choice of the word “mighty”, which makes a change from “feisty” and “strong”. The Guardian offers an extensive list of children’s books which promote diversity, including one with the lovely title Amazing Grace, another about the life of Stephen Lawrence, and Frank Cottrell-Boyce’s story called The Unforgotten Coat. I love the idea that a children’s book can challenge and educate us all on the subject of difference in its widest sense, and that it’s never too early to start talking about the issue. How lucky we are to live in an age where these things are openly discussed by children, parents, teachers, writers and publishers. Now what about a children’s picture book about combatting the rise of racism since Brexit?

 

 

 

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Wolf Winter

We have decided to showcase some samples of our writing on a new page called Our Work. These samples can be anything from stories for children or Young Adults, experimental or traditional pieces, poetry… 

I wrote Wolf Winter as part of my MA portfolio, when my tutor Nicola Davies, who writes fantastic books about animals and the natural world, suggested I put myself into the head of an animal and try to see things from its perspective.

 

 

wolf winter image. FREE pixabaydotcom copy

WOLF WINTER

My fur is grey against the gleam
Of snowdrifts in a frosted wood
And all the day I burn for food.
I rest and run.

Dusk falls cold on glittering snow.
I dig a hole, I crawl beneath,
I lie there shivering to my teeth.
I warm and sleep.

At dawn I cross a frozen lake.
I sniff the air for scent of food,
Some passed by days ago – no good.
I ache and burn.

I wonder where my brothers are.
Too long without them; different pain.
I seek the sky and howl again.
I prowl and search.

I sniff around the water’s edge
Where reeds have hardened into spikes.
My breath comes trailing spumes of white.
I wait and turn.

The doe is damaged, stumbling, slow.
I smell her long before she knows
Or even sees me, and I close.
I tear and eat.

The evening brings my brothers’ trace.
I scent their passage on the rain,
I tip my head and howl again.
I wait and wait.

I watch the deep violet sky.
A white moon rises. Now the snow
Is smooth and silvered where I go.
I pad and prowl.

Then high upon the mountain trail
Beyond the frozen waterfall,
I hear a distant answering call.
I run and run.

Kay Leitch
Originally published on kaywritesheretoo.wordpress.com
Treasure This

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The Magic of Storytelling

Fairy tales witch readingWho doesn’t love fairy tales? From that lyrical “Once upon a time”, which tells us we’re entering another realm, to the “Happily ever after”, which we all seek, children and adults alike. Of course there are fairy tales with unhappy endings, too – but you won’t see many of those on Disney.

Now, researchers have examined the evolutionary development of fairy tales http and found many to be much older than we thought. Thousands of years older.

Sara Graça da Silva, a social scientist/folklorist with New University of Lisbon, and Jamshid Tehrani, an anthropologist with Durham University, have conducted a phylogenetic analysis of common fairy tales, using a technique that traces linguistic attributes back to their origins. The origins appear to be much older than modern linguists and anthropologists believed.

The part of the report that caught my attention was: “they started with 275 fairy tales, each rooted in magic, and whittled them down to 76 basic stories…”

for fairy tales blog 1Each rooted in magic. I loved that. I don’t know about you, but I find all creative writing to be rooted in magic. That doesn’t mean it has to be about spells and fantasy. All sorts of magic can be yielded by a blank page and a quiet afternoon – though maybe not so quiet if you count the barking dogs, beeping mobile and husband yelling, “I said dinner’s ready!”

I’ve found that, like in so many fairy tales, what we end up with in our own writing is not what we started with, after all the editing and changing and rewriting is done. But, hopefully, we retain the core of the story we’re trying to tell. That’s where the magic is.

Physics teaches us that a pure element cannot be destroyed. I think fairy tales are literary creativity in its purest form and no matter how we rewrite them, edit them, disinfect or Disneyfy them, they will endure. The core remains. Stripped to its core element, the fairy tale is pure story.

Here’s how one core element changed over the centuries: Cinderella started life as Yeh-hsien, believed to have been written down by Tuan Ch’eng-shih in mid 9th century China. In the original version there was no fairy godmother; a magic fish helped Cinders. In Jacob and Wilhelm Grimm’s version, a hazel tree helped her, the ugly sisters cut off their toes and heels so their feet would fit the shoe, and their eyes were pecked out by doves. Can you imagine the collective fits of apoplexy at a Disney editorial meeting if they read that story board? I’d love to see it. 🙂

Cinderella Manga

 

Yeh-hsien went on to be called Zezolla by Giambattista Basile in 17th century Naples, then Cerentola. Joseph Jacobs called her the Cinder Maid. Charles Perrault (end of 17th century) introduced the fairy godmother and the pumpkins and mice… And what story do you think the film Pretty Woman depicts? Same core, different clothes.

If Sara Graça da Silva and Jamshid Tehrani are right and fairy tales are more ancient than we thought (Wilhem Grimm also believed this), then these core stories are even more embedded in our psyches than we thought. Which is great news for all story tellers.

Fairy tales teach us much more than the ultimately unchanging human condition – they hold good lessons for writers too: keep structure and plot simple. Remember, “character is destiny”, and be aware that rhyme, rhythm and poetic sentence structure are important. fairy tale pic 2Symbolism is universal. The words “once”, “long ago”, “far away” and “for ever and ever” can give us instant access to the reader’s unconscious, especially children.

I’m delighted that, as a storyteller, I’m carrying on an ancient tradition and, yes, I believe it is rooted in magic. As writers, we can take these cores and dress them in whatever finery we choose. And that feels magical, too.

Kay Leitch
Treasure This

 

Pictures courtesy of pixabay.com

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Authenticity

I’ve returned from an exhilarating weekend of stories at the international Storytelling Festival Beyond the Border, St Donat’s, South Wales. Listening to oral stories is, for me, important and enriching and makes a fine change from the written word. Some of my highlights at this year’s festival were:

Ben Haggarty keeping his audience spellbound on Sunday morning in an open- air cliff top setting. He dressed all in black and told tales of the devil, very well suited to his commanding tone and presence.

Ben Haggarty enthralling the crowd.

Ben Haggarty enthralling the crowd.

On Saturday, luscious Italian Paola Balbi wore red, her rich voice and swaying hips adding colour to her stories of medieval naughtiness. Beowulf, from The Telling Theatre of Denmark was part-theatre, part-telling: spare, virile and unmistakably Scandinavian. Eerie percussion accompanied Grendel’s passage amongst the trees, through the squelching bog, into the feasting hall and the Danish tellers Andersen and Ejsing used their words with all the precision of a singing sword.

The Telling Theatre's magnificent 'Beowulf'.

The Telling Theatre’s magnificent ‘Beowulf’.

I chatted with Dorset storyteller Martin Maudsley about sharing stories and how a storyteller can take ownership of a traditional tale. They craft and embellish it until, by twists and turns, it becomes something new and exciting, unmistakably their own, in much the same way as a writer strives to find their ‘voice’ on the page. The resulting performance/creative piece has an honesty and truthfulness which audiences can’t help but respond to. All in all, the message is: be yourself, write from the heart and find a voice that’s truly your own (we knew that anyway, but I guess it’s always good to be reminded).

The importance of authenticity was also flagged up by Melvin Burgess in the talk he gave to MA students and tutors at Bath Spa University this summer. He spoke about his process of interviewing ‘real people’ as part of his research for novels such as Junk, Nicholas Dane and Kill All Enemies. Many of the characters in these books are so powerful because the author has taken time to understand the people behind the stories, and the bittersweet voices of Gemma, Tar and Billy are some of the most authentic I’ve read.

JA

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What Makes Frozen a Hit? A Writer’s Point of View.

frozen

Children appear to grow up very fast these days. They look and talk as if they are older than their years; they aspire to be adults and there are lots of computer games, films, youtube videos… and even books that tap into this aspiration. But my experience of being a mother is that underneath, children are no older than we were at their age. For example, when my son was ten all the boys took a teddy on the school trip to France.

Disney also realise that kids are still kids, and that there is big money to be made from selling child-like things. The animated movie Frozen, about two princesses, a talking snowman, a young man and his pet reindeer, made nearly $1.3 billion in worldwide box office revenue. It also sold 18 million DVDs in 2014 .

It is not only preschoolers that have become obsessed with Frozen. Just a couple of days ago I overheard a girl saying to her dad, “You can be Elsa and I’ll be Anna.” She was about six-years-old, the same age as my nephew who also loved it. At my son’s junior school, children who were seven and eight were talking about the film constantly when it was first released ─ creating buzz ─ many of the nine-to-eleven year olds went to see it too (for their siblings!). In an article on How Frozen Took Over the World, the author Maria Konnikova talks about a seven-year-old who knew she would love it, even though she hadn’t seen it yet, by what she’d been told by her friends. Parents also like it. I asked a Dad who had seen the movie, the sing-along movie version and had also bought the DVD, why the film was so appealing.  He said, “We like the innocence of it. It’s just good family entertainment.”  Konnikova suggests that part of its success “may have just as much to do with parents as with kids. Kids aren’t just liking it more; parents are taking their kids to see it more.” Perhaps parents don’t want their kids growing up too fast; they value childhood.

As you can imagine, business analysts and reporters have tried to identify the factors that made the film so successful (see references below). If you know what worked, you can replicate it. Right? The pre-release marketing campaign was designed to appeal to a wide audience and focused on what was unique about the story; the film was released in November (which is apparently the optimal release timing) and, cleverly, Disney allowed the very singable music to spread through social media; they didn’t crack down on the millions of youtube tributes. It has two strong, not simpering, princesses that children can relate to; the story’s a bit different for Disney ─ an act of self-sacrifice saves the day rather than true love’s first kiss ─  it’s about the relationship between two sisters and growing up; there’s the allure of magic, a wisecracking sidekick snowman and the film has the feel-good factor… However, what the experts all agree on is that you could put all these ingredients into another story and it wouldn’t necessarily work. I don’t think it will stop animation companies from trying though!

I think book publishers could learn a lot from Disney. Imagine a manuscript arriving on an editor’s desk about a bunch of toys that deeply want children to play with them, and the story is told from the point of view of a cowboy doll. Would the publisher say, “It won’t appeal to the readership; they’ll think they’re too old for it” or “Great ─ we’ll call it Toy Story”.

I’d love to know your thoughts …

Thanks for reading my blog!

Kim

References

  1.  https://en.wikipedia.org/wiki/Frozen_(2013_film)
  2. http://www.newyorker.com/science/maria-konnikova/how-frozen-took-over-the-world
  3. http://time.com/3656230/why-kids-cant-resist-frozen/
  4. http://metro.co.uk/2014/12/05/kids-wont-let-it-go-why-disneys-frozen-is-everywhere-this-christmas-4975028/
  5. http://www.vulture.com/2014/01/why-is-frozen-such-a-big-hit.html

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